02052nam a2200373 c 4500001001300000005001500013008004100028020003600069020003500105041001300140049001300153050002500166052001700191082001400208100002500222240003000247245006700277260005600344300003200400490003400432504004100466505062500507600006401132650002501196650002101221650005001242653006301292700004801355700002201403830003201425830006101457950001301518963014701531WMO20001170420010313141343010313s1999    us a          000   eng    a0804734763 (cloth : alk. paper)  a0804734771 (pbk. : alk. paper)1 aenghfre0 lWM299646 0aND553.P8bM3413 199902a759.4bM337s0 a759.42211 aMarin, Louis,d1931-10aSublime Poussin.lEnglish10aSublime Poussin/dLouis Marin;etranslated by Catherine Porter  aStanford, Calif.:bStanford University Press,c1999  aviii, 267 p.:bill.;c22 cm10aMeridian, crossing aesthetics  aIncludes bibliographical references.0 aReading a picture from 1639 according to a letter by Poussin. - Description of the image: concerning a landscape by Poussin. - Description of a painting and the sublime in painting: concerning a Poussin landscape and its subject. - Panofsky and Poussin in arcadia. - The classical sublime: "tempests" in some landscapes by Poussin. - Fragments of a walk through Poussin's ruins. - Awakening metamorphoses: Poussin, 1625-1635. - A gaze rewarded, or Moses saved from the water. - Variations on an absent portrait: Poussin's self-portraits, 1649-1650. - The sublime in the 1670s: something indefinable, a "je ne sais quoi"?10aPoussin, Nicolas,d1594?-1665xCriticism and interpretation 0aSublime, The, in art 4aPainting, French 4aPainting, Moderny17th-18th centurieszFrance  aSUBLIMEaPOUSSINaMERIDIANaCROSSINGaAESTHETICSaSTANFORD1 aPoussin, Nicolas,d1594?-16650KAC2018L72821 aPorter, Catherine 0aMeridian (Stanford, Calif.) 0aMeridian, crossing aesthetics(Stanford University Press)0 bUKL30.00  aPoussin,aNicolasaCriticismaandainterpretationaSublime,aThe,ainaartaPainting,aFrenchaPainting,aModerna17th-18thacenturiesaFrance