02069nam a2200289 k 4500001001300000005001500013008004100028010001700069020002600086040002800112042000800140049001300148050002100161052001900182082001900201245007800220260006100298300002300359440003600382504005100418505113500469650004801604653002101652700004301673950001301716963005001729WMO20021315920021011092134001128s2001    uk            001   eng    a   00067469   a0521590175 (hardback)  aDLCcDLCdUKMdC#PdVVC  apcc0 lWM353258 0aML196b.C36 200102a780.9034bC1780 a780/.9/03422101a(The)Cambridge history of nineteenth-century music/dedited by Jim Samson  aCambridge;aNew York:bCambridge University Press,c2001  axv, 772 p.;c24 cm01a(The)Cambridge history of music  aIncludes bibliographical references and index.0 aThe musical work and nineteenth-century history / Jim Samson -- Music and the rise of aesthetics / Andrew Bowie -- The profession of music / John Rink -- The opera industry / Roger Parker -- The construction of Beethoven / K.M. Knittel -- Music and the poetic / Julian Rushton -- The invention of tradition / John Irving -- Choral music / John Butt -- The consumption of music / Derek Carew -- The great composer / Jim Samson -- Progress, modernity and the concept of an avant-garde / John Williamson -- Music as ideal: the aesthetics of autonomy / Max Paddison -- The structures of musical life / Katharine Ellis -- Opera and music drama / Thomas Grey -- Beethoven reception: the symphonic tradition / James Hepokoski -- Words and music in Germany and France / Susan Youens -- Chamber music and piano / Jonathan Dunsby -- Choral culture and the regeneration of the organ / John Butt -- Music and social class / Derek B. Scott -- Nations and nationalism / Jim Samson -- Styles and languages around the turn of the century / Anthony Pople -- Chronology / Sarah Hibberd -- Institutions / Sarah Hibberd -- Personalia / Sarah Hibberd. 0aMusicy19th centuryxHistory and criticism.  aMUSICaCAMBRIDGE1 aSamson, Jim,d1946-0KAC2014247974aut0 bGBP64.52  aMusicaHistoryaandacriticisma19thacentury